Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, December 15, 2013

Reykjavík (Iceland)

In Þórsmörk, we came across a curious breed of tourist: the northern lights chaser. He caught the bug with a spectacular display of the aurora borealis in Norway. Since then, the gentleman had travelled again from his home in Thailand to the far reaches of New Zealand to try to see its southern cousin, the aurora australis, already this season. Coming to Iceland, we had lowered our expectations for seeing them since there are so many variables affecting the display (light pollution, cloud cover, etc.). However, with his enthusiasm ringing in our ears, and assurances that the odds for this evening were particularly promising, we booked ourselves on a northern lights tour that departed within half an hour of our arrival into Reykjavík.

It was a bit of a scam. The "tour" was really a glorified bus trip to dump hundreds of tourists for a couple of hours in the cold somewhere outside of the city. Again a situation that would have been much improved if we had just rented a car. The glimpses we caught of the aurora were hazes of shifting green colors, so faint that it was hard to tell if you were just imagining them from staring so long into the dark. Amateur photographers with their expensive set ups caught a much more dramatic display in the nonvisible light spectrum. It's a shame the tour rounded us up a short time later since it was clear on our ride back that the show wasn't over yet.  

While we'd used Reykjavík as a base for some of our earlier adventures, we wrapped up our trip there to see a bit more of the capital. The art and music scene is remarkable for a country so small. One book credited Icelanders' open attitude toward failure as the reason so many in the country feel free to make a go in creative pursuits. Galleries and clubs abound, and we fell in love with 12 Tónar. This place carries the torch for old school record shops. The scruffy guy behind the counter gives recommendations and opens up new albums and, even better than that, serves free freshly-brewed espresso while you listen on quality headphones! The shop also owns a record label, where indie bands can get their start ... and really, all artists in Iceland aside from Björk and Sigur Rós, are indie. The music on heavy rotation in our household now is from Ásgeir Trausti, Sin Fang, Mammút, and Samaris.

Our new albums set us back a pretty penny, as does almost any purchase in Iceland. In Reykjavík, we had to get creative to afford some of the country's cuisine. Hot dogs are really popular and cheap. The yummy ones at Bæjarins Beztu Pylsur, a famous stand that has served Bill Clinton and Anthony Bourdain, are made from lamb and topped with 3 different sauces and 2 kinds of onions. After seeing it on menus across the country, we sought out a café serving traditional Icelandic meat soup... only to find out later that shopkeepers were ladling it out free to hundreds as part of their Annual Meat Soup Day further down the street - D'oh! While the hot dogs and soup were pretty straightforward, other traditional viands were maybe not so familiar. We saw seal, puffin, and whale advertised on tasting menus... though it's debatable how many of these historical seafoods (?) are consumed by the average Icelander versus as a strange food for tourists. The appearance of jellied meat products has always been unsettling for me, but I did finally satisfy my Laura Ingalls Wilder-induced curiosity about headcheese. The Icelandic version is from sheep and, I guess, not sooo bad on thickly buttered flatbread and with mashed turnips to accompany it.

This is not the case with hákarl. This traditional Icelandic protein starts with a carcass of a shark that is then beheaded, buried in sand, left to ferment for months, dug up, and dried out before serving. In short, ancient Icelanders must have been starving to consider this edible. The aforementioned Tony Bourdain called it, "the single worst, most disgusting, and terrible tasting thing;" bizarre food enthusiast Andrew Zimmerman described it as one "of the most horrific things I've ever breathed in my life;" and tough guy chef Gordon Ramsay just spat it out. We both tried a cube at the Kolaportið Market. It was soft and chewy - not surprising since sharks are mostly cartilage - with a strip not unlike sandpaper running through. The taste was actually not so off-putting until one begins to chew. This results in a release of an increasing and overwhelming flavor of... ammonia. We managed to choke it down, but let's face it, the lingering finish of household cleaner is just not something you can get rid of easily. ¡Qué asco! 

Monday, September 16, 2013

Hopscotch Music Festival 2013 (Raleigh, NC, U.S.)

The Triangle (the Raleigh - Durham - Chapel Hill area in North Carolina, aka "home" for most of our adult lives) has always been a surprisingly fantastic place for music. There's a vibrant local music scene, and sitting roughly midway between D.C. to the north and Atlanta to the south(east), bands doing the whole East Coast tour thing often put in an appearance... in smaller venues and for much more reasonable prices than you'd catch them for in the big cities. Coming back to the Triangle, we were thrilled to find that, in our absence, the collective interest in live shows has amassed into an eclectic music festival called Hopscotch.

Over 3 days in September, venues all over downtown Raleigh host nearly 200 bands of all shapes and colors and styles. Nathan Bowles's banjo pickin' brought us back to the land of bluegrass, a fitting homecoming for our first stop. Checking in with longtime local rockers The Kingsbury Manx next door was soured by the poor acoustics and the distracting media. Photographers from various news outlets and websites (do 'zines even exist anymore?) flitted about the open pit obnoxiously, angling for up-the-nose close ups and then abruptly turning their backs on the band when they got the shot. Smaller outfits gave us the opportunity to peek into venues that have sprung up since we moved out of the capital city, er, *cough* 7 years ago. From the Bon Jovi tributes on the wall, it's doubtful we'll be back at Deep South Bar, but we were eager to visit the old indie hangout Kings Barcade, risen from the ashes (aka the city demolished it for a parking lot) and reborn in Martin Street Music Hall's old digs. Unfortunately, the wall-of-sound-or-is-it-just-noise? act Merzbow had us high-tailing it out of there. In contrast, Angel Olsen's strange vocal stylings (I thought war-time radio/Edith Piaf, Rich thought female Johnny Cash) were pure enjoyment, and Local Natives's exuberant and super-tight set was one of the festival's highlights.

The main stage in City Plaza also had some great moments. I was thrilled for my old neighbors in their new band Gross Ghost as the opening act (and hearing them promote the show on the NPR station earlier in the day). N.C.-boys-made-good Future Islands played a synthpop set that got everyone in the crowd to boooogie, even with the lead singer's weird crooner-turned-demonic voice. The dance party continued with Holy Ghost! and A-Trak, who Rich thought looked familiar from his Duck Sauce video Barbra Streisand. As a connoisseur of electronica, Rich had a few bones to pick with him, but I couldn't tell if he was just playing to the audience's slightly more mainstream expectations. At any rate, there will be plenty of time for that sort of critique if we end up at one of the other North Carolina festivals - Mountain Oasis Electronic Music Summit or Moogfest!

Thursday, June 7, 2012

Primavera Sound 2012 in Barcelona (Spain)

We've found the live music scene in Barcelona to be a little disappointing, mainly for the price and somewhat the variety (mostly big headliners). So our strategy has adapted: blow our hard-earned cash on the glorious marathon of shows that is the Primavera Sound Festival.

The bulk of the action takes place for three days at the sprawling seaside complex of Parc Forum. However, there are various venues around and about the city hosting sporadic shows on the bookend days as well as in the preceding weeks. I was bummed to miss The Walkmen, who were playing 5 minutes from our apartment. But the scheduling is not very amenable to us working folk. Shows can start as early as two o'clock in the afternoon and often run until 5 a.m. It requires a variety of energy conservation techniques (e.g. cat naps at home or propped up against a sea wall) and caffeine management.

On the first day of the main event, our old friends Death Cab for Cutie and Franz Ferdinand didn't disappoint. Solid performances for huge audiences... and you can always trust Franz Ferdinand to get the indie kids dancin'. Unfortunately, the newer bands did not live up to my expectations. The xx had a pretty elaborate stage set up, including a giant plexiglass X that slipped its hook so a roadie had to be hoisted like a cheerleader to fix it. With all the smoke machines and lasers, the band seemed to be more interested in style than substance. Or maybe I'm just not emo enough. Japandroids's lo-fi appeal was lost in a wall of noise, and not in an awesome Mogwai-kind of way. To be fair, the giant solar panel structure overhanging the gig might have been working against the acoustics. Far and away one of my favorite performances of the whole festival, Beirut was incredible in its three-horned glory (trumpet, flugelhorn, and trombone). It might be a cheap thrill, but really, can anything else tug on your heartstrings more than a little mournful brass? What more can you expect from a guy with French horn tattoos on his wrists? A little funereal, a little mariachi, a little gypsy, apparently. Hats off to the Jimi Hendrix-like wizardry of the accordion player, too!

On the second day, I Break Horses put on a good show even if the synthy atmospheric stuff felt a tad misplaced on a sunny afternoon. The War on Drugs rocked the Pitchfork stage. They were less Arcade Fire than I expected, but that was fine by me. We stayed to the very last song, which meant arriving late to The Cure extravaganza on the main stage. Clearly, everyone came to Primavera Sound for this show. Even the VIP section on the hill was absolutely packed. Robert Smith still looks like Elizabeth Taylor after a night of heavy drinking, but the band sounded even better than when we saw them in their own Curiosa Festival in the States. It was mostly a hit parade, but hey, if I'm singing along to "Just Like Heaven," too, I'm not gonna complain. Given the distance to the stage, we bowed out early, gambling on checking out the newer band Wavves. It was a mistake. Yes, we got very close to the stage. But their bouncy punk efforts, which might have been plucky and amusing in 16 year olds, just seemed kind of pathetic when they're mid-30's trying to recapture lost youth... and we found out The Cure ended up playing a 4 hour set :(  For surf rock done right, better to turn to The Drums, whose "Obama/Oh mama? I wanna go surfing" song popped with energy. All of their songs were very tight, and the lead singer's gumby-like dancing and strutting really drummed up the crowd's enthusiasm. With the funky fun of The Rapture, a dance party is practically a requirement. I was a little disappointed that the keyboardist didn't ride his keyboards like the last time we saw them (strangely enough, also at the Curiosa Festival), but you've got to give him credit for still being the most enthusiastic cowbell player you'll ever see! 

The third day had a lot of ups and downs. Tall Firs doodled around on a couple of guitars, but their low key set really suffered without a drum kit. The more upbeat Milagres show was a welcome relief, but Beach House's dream pop with the lead singer obscured in the smoke and synth brought us back down again. Chromatics were a better option, but to really liven up the festival, who'd have thought to look to Kings of Convenience as saviors? That's right. The Norwegian duo, whose music harkens back to Simon and Garfunkel, and who have an album called "Quiet is the New Loud," rocked the joint! I was surprised to see them on the main stage, but judging from the masses, we weren't the only ones looking forward to the show. The first half's easy breezy harmonizing with acoustic guitars and relaxed banter was well-suited to the sunny seafront. Then they brought on a rhythm section and the most happy-go-lucky electric guitarist to go all out disco dance party. I knew Erlend Oye moonlights mixing electronica and hanging out with folks like Royksopp, but it's still quite another thing to see the shift in person - from earnest bookishness in big glasses and a baggy cardigan to gangly, swaggering funk frontman. They were having a grand old time (even taking pictures with their own camera on stage), and the crowd were, too. Hands down, the best show of the festival!   

Sunday, May 29, 2011

Primavera Sound 2011 in Barcelona (Spain)

One of the experiences I was most looking forward to in moving to Europe was going to music festivals. Barcelona hosts Primavera Sound, a four day event mostly at the massive beach-side venue of Parc Forum and some random places in the city, too. Shows started around 5 pm... and, this being Spain, finished around 6 or 7 am. I was absolutely crushed that I missed Girl Talk's show, but that's what happens when you have to teach 2 hours later.

The variety of acts made for some strange bedfellows. For example, Johnny Rotten's (of Sex Pistols fame) new band P.I.L. was rockin' out while Big Boi (of Outkast fame) was rapping at the stage next door. The Walkmen were impressively tight, for all their time changes, and I was really glad to have finally seen them after accidentally sleeping through their show in North Carolina. The National, Warpaint, P.J. Harvey, and Fleet Foxes commanded huge audiences. The Flaming Lips entertained with their onstage antics (blow up robots, dancing Asian milkmaids, etc.) and enough balloons and confetti to rival a Super Bowl half-time show. The return of Pulp heralded a rowdy send up of Disco 2000. We bobbed and weaved through some promising smaller acts (e.g. Glasser and M. Ward) and less promising ones (e.g. drama-heavy punk group Throwing Up trashing the stage and their sponsors in the Ray Ban tent).

Event organizers seemed to make some odd choices that hurt some bands: Why put on Tannhauser, aka Mogwai-lite, at the same time as the original? Belle & Sebastian's upbeat show suffered from poor sound mixing since heavy thumping bass is not exactly what most people expect to hear with twee. But the most distracting effect had to come from misguided Gang Gang Dance, who appeared with two "dancers" - a purple ninja who alternated between waving ribbons of toilet paper and doing yoga poses and some random dude waving a garbage bag on a stick with no semblance of rhythm.

Despite our enjoyment of the music, I am afraid we will have to admit that we are not cut out for the long hours of partying in the Barcelona scene. We expect a long recovery period.

Click on the album in the side bar for pictures from the festival and of Montserrat.
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